Over There

I had committed myself to watching FX's new show, Over There, with the knowledge that there was potential there for really well produced drama. Steven Bochco was producing it, so I knew that there were creative controls that he would have demanded (and been able to demand) in the production. I also had seen a flury of content from NPR... so much so, that I felt like there was some type of FX underwriting going on.
What strikes me as interesting about the show is that there isn't much desire to be politically driven, and at the same time the issues will easily speak to extremists on either side. Perhaps what can come of this is some understanding that regardless of what side you fall on politically, there is a real stake in war, and a very human, individual reaction to being a part of war.
It must be incredibly tough to produce the show, being that the war is not over. Traditionally Hollywood has avoided such dramas, preferring to wait until the war time has passed, and to treat the events with a regrettable, yet patriotic eye.
But how do we react to the drama, now matter how fictional, when the visuals we see are mimicking, so closely, the images of our own current news? Do we feel more drawn to the real life soldiers? Do they resent us for feeling like we can empathize more of their struggle through a television show? Do they want us to feel pity?
I was taken by the emotion in the first episode and it proved to me why I feel the ways I do about war. I feel shame for the act of killing. I feel proud for the people who do what I don't dare. I feel torn over doing what is right and what only appears to be right. I feel unworthy of their stories. I have not punched my ticket. I have not earned my opinion in this matter.
So, I think the most I can say is really about the show and my take on it as film. It feels more like film than television. The wide, swooping angles seem to allow you to take in the entire scene before butting you up face-to-face with a soldier. The cinematography overstates the beauty of the land, using orchestral and guitar driven music to bring the visual to a surprising visual climax.
The characters seem to have been drawn with hard outlines. Each one fitting a specific set of roles, rarely bleeding into other's opinions or stepping away from their own. It feels a bit too much like reality television in this way: each character having his/her own role... the cowboy, the academic, the kid from the streets, the overworked sergeant, the mother, etc.
I have a feeling that as the show progresses those lines may intersect and disappear. At least I hope they do.
It a series worth watching to shock yourself... to remind yourself that drama is most gripping when it is attached to life... to think about the people over there for a while. I think it's only fair after they do so much thinking about us.












